Actor, Singer, Songwriter



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Christine is currently starring in the West Coast Premiere of
"The Women Of Brewster Place"
the musical

at the Celebration Theatre in Los Angeles!



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www.SOULTRACKS.com Album Review

Therapy, the latest record from Atlanta based R&B singer Christine Horn, has many teaching moments. With Horn standing in front of the blackboard, she uses her songs to teach her female students how to keep their men out of the strip club while instructing the men on how to keep a - ahem - happy missus at home. And those two lessons occur on the first two songs. That second song (the one for the brothers) is called "Educated," and it can also serve as a lesson in the proper use of the double entendre for this generation's metaphorically and imagery challenged soul singers. I mean, it's clear from these lyrics that Christine Horn has been listening to the blues: "I want a man who knows how to use his brain/Knows what to do and how to drive me insane/I want a man who knows how to use his head/Make a sista want to stay in bed/Cause I don't feel like giving directions tonight/I don't feel like teaching-is that alright/The man I choose has got to read my clues/The man I choose must have a big IQ.

Horn continues the sexual innuendo in the chorus, which takes on the feel of a job interview: "Are you educated/Do you have a trade/Can you use your hands/Can you use you legs/Are you educated/Do you have a skill/Can you use a nail/Can you use a drill/I want to know if that's you."

It never gets more explicit than that, yet the listener knows exactly what Horn is trying to say. Using school or interviewing someone for a job as a metaphor for proving one's sexual prowess is what made songs such as "Teach Me Tonight," and "Want Ads" timeless. Horn is competing with some great company, and she competes well.

The first song is even better because Horn uses "Shake It" to have a little fun while discussing a very serious issue - mainly why so many seemingly attached men feel the need to spend a bunch of time and money at strip clubs. I've heard plenty of women complain bitterly about husbands and boyfriends who frequent strip clubs to ogle over gyrating women. The men might say the clubs represent nothing but a way for guys to have a little fun, but many wives and girlfriends - some who are more than willing to put on some pasties and a thong and "drop it like it's hot" - take it as the ultimate sign of disrespect. And let's face it; strip clubs aren't exactly the safest place in the world. I mean, does the name Pac Man Jones mean anything to you?

"Shake It" employs that Caribbean beat that is the unofficial soundtrack of the strip club as Horn shows the women how to do like the girls in the club do: "If he tell you he don't like it baby/I can assure you he's a lie honey/Why would he spend his money at Magic City/Well let me tell you what you've got to do/To keep those man's eyes on you just learn these few steps to gain his interest."

However, Horn doesn't confine our teaching to bedroom tactics. In fact, the main lesson Horn wants her students to learn is that it's tough out there. There are married men looking to have a chick on the side, like the guy Horn describes in the tune "Mr. If Only." On "Attached," Horn describes how easily those no-commitment hook-ups can become an emotional attachment that is often one-sided. Again, this is timely, and there are several books on the subject. Those hook-ups can also be risky because, as the old AIDS education commercials warned us, "when you sleep with someone, you are also sleeping with everyone that person slept with." That risk becomes powerfully apparent on the song "Mayday." Horn describes a situation where her sexual partner leaves without telling her. The man is HIV positive and he believes he has given the disease to his partner. It turns out that the man, who died, contracted the virus from the woman. Other high points include the sweet title track, "Therapy," the anti-domestic violence song "Love Hurts," and "Angst," a rock anthem about the age-old conflict between parents and children.

There are a diverse variety of songs and teaching moments on Therapy, and Horn proves to a more than apt teacher. Highly recommended.
          Howard Dukes - Soul Tracks (May 8, 2008)


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---NoteWorthy Artist:
Christine Horn ~ Therapy

Her bi-line reads "The R&B Alternative". On her sophomore project Christine injects some mainstream R&B elements in to her soul sound. The results are Hyper beats and catchy hooks. Therapy is a true alternative but I don’t think is just to R&B. Christine has also created an alternative to indie-soul. Therapy blurs the line between Commercial R&B and homegrown indie-soul. Therapy is a refreshing change from the norm.
          AyeJay - Art Haus NYC (Mar 3, 2006)


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---"Music Midtown Menu"
CL's opinionated festival guide
Published April 30, 2003


CHRISTINE HORN-Soulful diva and Apache Cafe regular Horn is known as the host of the Sunday Stories review, and for her theatrical and emotional delivery. 6-7p.m.
          Lee Velentine Smith - Creative Loafing


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---"LIFTING OTHER VOICE TO SING"
Roni Sarig
Published February 19, 2003




Last February, Christine Horn found herself frustrated with her career as a performer. A longtime local actress who has appeared in Alliance Theatre and Jomandi productions, Horn was tired of waiting for her agent to call. So she decided to pursue another direction by singing her own theatrical "R&B alternative" songs, accepting an invitation from Mumbo Jumbo to organize the monthly multi-act performance showcase, Sunday Stories.Unlike with acting, Horn says, "I feel like I have some control over my music. I can record an album if I want to. I can throw a show and invite people on my own."


Fast forward to this February -- Mumbo Jumbo is closing down and Sunday Stories is gone. But Horn's interest in bringing musicians together remains. So, with February being Black History Month, she concocted an even more ambitious event: Lift Every Voice and Sing.


Named for the hymn that has been called the "Negro national anthem," the showcase features 11 local African-American acts in one night. The key, Horn says, is stylistic diversity. "A lot of times in our community we get used to just neo-soul or R&B, but there are other types. I just want to let people see us in a different light -- that we're able to do so many types of music."


To that end, performers include bluesy acoustic singer Jahi Kearse, jazz violinist LaTonya Peoples, "ghetto metal" rockers E.X. Vortex, experimental soul/poetry ensemble Jjason Blackwell and hip-hoppers Hyrisk & Mavinus, as well as Horn herself and other acts.


"It's just bringing everyone together to network," Horn says. "That's half the following in this city -- other musicians getting to know each other and helping each other out."

Lift Every Voice and Sing is held Fri., Feb. 21, at Apache Cafe
          Roni Sarig - Creative Loafing


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---"Reality, MTV style
There are no Apaches at Apache Cafe"

Andisheh Nouraee
2003

How does everyone feel?: On Friday night, the Apache Cafe hosted Lift Every Voice and Sing: A Celebration of African-American Music. Organized by singer Christine Horn, the show featured a range of styles, including hip-hop, funk, jazz and R&B. With the musicians playing short sets, they naturally focused on their strongest material, and that made the hours fly by. The only downside of having so many musicians perform is having to endure a dozen performers asking, "How are you feeling tonight?" without anyone actually waiting to hear an answer. My back was sore, but nobody seemed to care.One highlight was violinist Latonya Peoples' first piece, during which she created a violin groove with an echo unit and then soloed over it. Another: Jjason Blackwell, which might be the name of a pperson or a ggroup, i'm not ssure. It/they/he was/were riveting stage performers even when I couldn't hear a thing it/they/he was/were saying.


Then there was Christine Horn herself. With her piercing eyes and hair that makes her look like she just came from a salon on Planet Funk, Horn is a sight to behold. Unlike the spastic Jjason Blackwell, her vibe was significantly more mellow, mid-tempo and elegant, with verses and choruses. I think critics call it neo-soul.
          Andisheh Nouraee - Creative Loafing (Talk Of The Town)


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"SEE & DO"
Better than digital cable

July 11 Friday
CHRISTINE HORN managed to attract top talent to her monthly Sunday Stories music series at Mumbo Jumbo. Now Horn tries again with She's Gotta Have It, featuring her own soulful alternative R&B and the political folk of DORIA ROBERTS. $10. 10 p.m. Apache Cafe
          JP - Creative Loafing


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"SUNDAY NIGHT LIVE"
Ayasha McAdams-Mahmoud
Published September 25, 2002

Burnt orange and hot red tints flood brick walls filled with abstract art. Candles flicker on the bar and tables, where people of all colors sit sipping drinks, waiting to hear the night's featured unsigned artists.The scene is set for another Sunday Stories, one of the more eclectic outlets for local talent in Atlanta. Held monthly at Mumbo Jumbo, the event combines the interactive atmosphere of an open-mic night with the sophistication of a mini-concert -- a cozy co-mingling of old and new sounds where performers often join the audience when finished on stage.


Sunday Stories creator Christine Horn's ear is always to the street as she scours the city's clubs and open-mic events searching out new artists for Sunday Stories. In its seven-month history, the event has featured hip-hop (D.R.E.S. tha Beatnik), folk (David Ryan Harris), neo-soul (Jahi Kearse) and more.


The 24-year-old Horn is an artist with a new album of her own, Walk With Me. She and her band play a few of their theatrical, soulful R&B selections at every Sunday Stories.


"Sunday Stories has allowed me to know the business side of performing," says Horn. "It's intimate. You get tired of that loud, smoky club."

The next Sunday Stories is scheduled for Sun., Sept. 29, at Mumbo Jumbo
          Ayasha McAdams-Mahmoud - Creative Loafing


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"Picnics, toilets & honey
Co-authored this week by bitterness and disappointment"

Andisheh Nouraee

I am Andisheh: Honey Magnolia is an R&B package show aiming to take up-and-coming performers out of smoky nightclubs and put them in front of supportive audiences. Patrons were met at Seven Stages in Little Five Points Saturday by live, high-fashion mannequins on platforms and a light show fit for a big-name artist. The theory seems to be if they put on a famous person's show, they'll become famous in their own right more quickly. Christine Horn and her band Iyalocha looked and sounded incredibly famous for people who aren't. Funk band Freestyle took it one step further, abandoning all pretense of humility by spending half their set on a song that victoriously repeated "We are Freestyle" over and over. They got a standing ovation.
          Andisheh Nouraee - Creative Loafing


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Chocolate Jeanie, 2005 Condition: New Copy
CD Review - Therapy

A sweeter and smoother set than before from Atlanta vocalist Christine Horn -- still working in the "R&B Alternative" mode of her debut, but hitting a tighter groove on this set -- with more of the warmer touches of other singers on the current Neo Soul underground! Horn's really matured since her first set -- and the songs show a real growth in songwriting, a deeper talent that's very much deserving of the richer production and arrangements used on the set. There's a really professional sound to the whole album, yet the whole thing still manages to come off with a personal quality -- and never sounds too slick or overproduced. Titles include "Educated", "Mr If Only", "Therapy", "Love Called Me", "Karma", "Love Hurts", and "Angst". (From the Neo Soul CD page.)
          - Dusty Groove America


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March 2003 / Issue # 20

Christine Horn- "Walk With Me"---Christine advertises herself as the "R&B Alternative" for good reason. She doesn't muddle herself in the quagmire of commercial music. Equally adept at rock, funk and R&B she reminds me of another "R&B Alternative," Rebekah, who had a pretty good debut on Elektra a few years ago. I suspect they're actually one in the same, but I could be wrong. There is so little info on both-regardless she rocks!